Show Menu

Items from "MWSD": 355

Between Those Ladies (clip) - Ray Smith

This 1953 clip features Texas caller Raymond Smith introducing the seeds of modern Western square dance style at Camp Becket in Massachusetts. He's calling "Between Those Ladies" by Toby Allen, a variation of the traditional figure "Right Lady High, Left Lady Low."

The form of square dancing that became MWSD started in the 1940s when callers…

Ends Turn In (clip) - Raymond Smith

Dance created by Ed Gilmore, with many versions available on this site. Music here is played by Jack Barbour's band.

Red Bates 1961, Patter

By the time of our first clip from a 1961 dance at the Newton Pavilion in Newton, NH, Bates was a busy caller working dances throughout New England. The choreography is very representative of MWSD at that time. It includes a mixture of the Ed Gilmore Ends Turn In routine, Star action and a Susie Q.

Woman in Love - Red Bates, 1961

The singing call, Woman In Love, is a classic and Red uses the figure as it was recorded by Dick Leger on Grenn record #12128. Tempo is a characteristic of calling that underwent considerable change. This singing call was at 132 beats per minute (bpm), the fastest of any in this set of clips by Red Bates but a very common pace for MWSD at that…

Gentle On My Mind, Red Bates, 1968

In the 1968 singing call, Gentle On My Mind, the interesting and unusual figure was called by Red just as it was recorded on the Wagon Wheel label #113 by Don Franklin

Tags:

Red Bates, 1973 Patter

Our 1973 clip is from a dance at the Longmeadow, MA, square dance club a short distance from where Red lived at that time. He starts with a Scoot Back and Circulate combination and in the second half of the tip does a variety of line sequences that have the dancers changing facing direction a lot with little movement around the square. The call Tag…

Pussy Cat -Red Bates - 1973

The 1973 singing call, Pussy Cat, Windsor Records #4173, was recorded by Bruce Johnson; it is one that became a Red Bates trademark. The figure was difficult in a unique way. The challenge was the partner change that followed an unusual placement of the Allemande Left. It became a game between the dancers and Red to see if they could make it…

Tags:

Red Bates, 1982 Patter

The examples we have for the 1980’s also were recorded at the Longmeadow club and this was the opening patter call for a dance on February 16, 1982. The choreography is very different from his earlier dances. In the first minute and a half he uses 20 different calls! In the interval between 1973 and this dance, CALLERLAB had been formed and the…

Tags:

Red Bates, 1982 Pecos Promenade

The singing call, Pecos Promenade, was recorded by Beryl Main on Chaparral label #406. At 120 beats per minute (bpm) it is the first indication in this collection of a trend toward slower tempo that was to become much more common. The singing call also shows a programming style that was becoming very common at that time. Red uses three different…

Tags:

Red Bates, 1990 Patter

The 1990 dance was again for the Longmeadow club. The most striking thing to notice is the much slower tempo. In 1980 Red’s tempo for the opening patter call was 128 beats per minute (bpm). By 1990 he (and several others) had slowed the tempo considerably. In this tip the tempo is 116 bpm which is less, even, than he usually used at that time.

Tags:

Red Bates, 1990 From A Jack To A King

In the singing call Red uses the Introduction/Break/Closer as it was recorded on the Red Boot Star label #1320 by Bill Anderson and continues the practice, now very common among MWSD callers, of using four different routines for the figure. The tempo is still quite slow at 118 bpm.

Tags:

Red Bates, 2006 Patter

The 2006 patter call shows Red’s usual programming using 11 of the PLUS Program calls in this one tip. The tempo had increased slightly to 123 bpm. His delivery style is conversational with somewhat less melodic variation than his early calling.

Tags:

Red Bates, 2006 City Of New Orleans

The 2006 singing call, City of New Orleans, was probably to the Rhythm record #182 originally by Wade Driver with a Mainstream Program figure. By using three different figures in the dance rather than just one repeated four times, Red’s calling again shows the change in singing call delivery that by then was very common for many callers.

Tags:

Red Bates, 2011 - Patter

The 2011 patter call is probably from a group in Florida where Red now lives in the winter. Two things are notable. One is that he is using a much smaller vocabulary of calls than he has in the tips from earlier years. The other is that the music is a singing call record. (I Shall Not Be Moved". Quadrille # 910) Many callers who are comfortable…

Tags:

Red Bates, 2011 City of New Orleans

The 2011 singing call is the same one that he used in 2006, City of New Orleans, Rhythm record #182. The record, as Wade Driver called it, used a CALLERLAB Mainstream Program routine. As we noted in the 2006 clip, Red used three different routines. Both Red and I (Jim Mayo) were surprised to learn that here, five years later, he used the same three…

Tags:

Red Warrick - Heel and Toe (clip)

Texas caller Red Warrick, on a rare recording on the Dude label, with music by Till's Square Dance Band. (See related materials here.) The tune is Golden Slippers, but this recording provides an excellent example of calls that are not phrased to the tune. For a caller of traditional New England material, this would be heresy, but Warrick is…

Red Warrick - Dip and Dive (clip)

The dip and dive figures appear in many variations in the square dance repertoire. One common singing square has the figures set to the tune Redwing, while other callers chant the figures to Little Brown Jug. Here, Red Warrick chants the figures in a steady, rhythmic patter that does not fit the phrase of the music. Other examples of the dip and…

Jessy Polka Square

Here are the directions for Red Warrick's dance. See the related item for a video showing Warrick calling for his demo team.

Marina - Rich Sbardella - MWSD Early – Basic Program

This video is of a dance at the Powder Mill Barn in Enfield, CT. The barn is owned by Ralph Sweet. The caller is Rich Sbardella. Rich is a disciple of Dick Leger and calls in Dick's style which, although this dance was in April of 2012, is representative of the early style of MWSD. The calls are from the CALLERLAB Basic Program.

This dance music…

Heart of My Heart - Rich Sbardella - MWSD Early – Basic Program

This video is of a dance at the Powder Mill Barn in Enfield CT. The barn is owned by Ralph Sweet. Callers are Rich & Lynn Sbardella. Rich is a disciple of Dick Leger and calls in Dick's style which, although this dance was in April of 2012, is representative of the early style of MWSD. The calls are from the CALLERLAB Basic Program.