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Items from "MWSD": 343

Red Bates, 2011 City of New Orleans

The 2011 singing call is the same one that he used in 2006, City of New Orleans, Rhythm record #182. The record, as Wade Driver called it, used a CALLERLAB Mainstream Program routine. As we noted in the 2006 clip, Red used three different routines. Both Red and I (Jim Mayo) were surprised to learn that here, five years later, he used the same three…

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Red Bates, 2011 - Patter

The 2011 patter call is probably from a group in Florida where Red now lives in the winter. Two things are notable. One is that he is using a much smaller vocabulary of calls than he has in the tips from earlier years. The other is that the music is a singing call record. (I Shall Not Be Moved". Quadrille # 910) Many callers who are comfortable…

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Red Bates, 2006 City Of New Orleans

The 2006 singing call, City of New Orleans, was probably to the Rhythm record #182 originally by Wade Driver with a Mainstream Program figure. By using three different figures in the dance rather than just one repeated four times, Red’s calling again shows the change in singing call delivery that by then was very common for many callers.

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Red Bates, 2006 Patter

The 2006 patter call shows Red’s usual programming using 11 of the PLUS Program calls in this one tip. The tempo had increased slightly to 123 bpm. His delivery style is conversational with somewhat less melodic variation than his early calling.

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Red Bates, 1990 From A Jack To A King

In the singing call Red uses the Introduction/Break/Closer as it was recorded on the Red Boot Star label #1320 by Bill Anderson and continues the practice, now very common among MWSD callers, of using four different routines for the figure. The tempo is still quite slow at 118 bpm.

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Red Bates, 1990 Patter

The 1990 dance was again for the Longmeadow club. The most striking thing to notice is the much slower tempo. In 1980 Red’s tempo for the opening patter call was 128 beats per minute (bpm). By 1990 he (and several others) had slowed the tempo considerably. In this tip the tempo is 116 bpm which is less, even, than he usually used at that time.

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Red Bates, 1982 Pecos Promenade

The singing call, Pecos Promenade, was recorded by Beryl Main on Chaparral label #406. At 120 beats per minute (bpm) it is the first indication in this collection of a trend toward slower tempo that was to become much more common. The singing call also shows a programming style that was becoming very common at that time. Red uses three different…

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Red Bates, 1982 Patter

The examples we have for the 1980’s also were recorded at the Longmeadow club and this was the opening patter call for a dance on February 16, 1982. The choreography is very different from his earlier dances. In the first minute and a half he uses 20 different calls! In the interval between 1973 and this dance, CALLERLAB had been formed and the…

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The Caller - Jonesy

A list of qualifications and items to consider for would-be square dance callers

Aqua Barn

Article describing Seattle's Aqua Barn, a floating dance hall. The hall was created by Jack Riley, who obituary can be found here.

Pussy Cat -Red Bates - 1973

The 1973 singing call, Pussy Cat, Windsor Records #4173, was recorded by Bruce Johnson; it is one that became a Red Bates trademark. The figure was difficult in a unique way. The challenge was the partner change that followed an unusual placement of the Allemande Left. It became a game between the dancers and Red to see if they could make it…

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Red Bates, 1973 Patter

Our 1973 clip is from a dance at the Longmeadow, MA, square dance club a short distance from where Red lived at that time. He starts with a Scoot Back and Circulate combination and in the second half of the tip does a variety of line sequences that have the dancers changing facing direction a lot with little movement around the square. The call Tag…

Gentle On My Mind, Red Bates, 1968

In the 1968 singing call, Gentle On My Mind, the interesting and unusual figure was called by Red just as it was recorded on the Wagon Wheel label #113 by Don Franklin

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Red Bates 1968 Patter

The next clips we have are from another dance at Newton Pavilion seven years later. By then the calls Swing Thru and Spin the Top had been added to the call vocabulary and Red makes use of both in this tip. All of the calls in this tip would be included on the Mainstream List seven years later when it was established by CALLERLAB.

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Woman in Love - Red Bates, 1961

The singing call, Woman In Love, is a classic and Red uses the figure as it was recorded by Dick Leger on Grenn record #12128. Tempo is a characteristic of calling that underwent considerable change. This singing call was at 132 beats per minute (bpm), the fastest of any in this set of clips by Red Bates but a very common pace for MWSD at that…

Red Bates 1961, Patter

By the time of our first clip from a 1961 dance at the Newton Pavilion in Newton, NH, Bates was a busy caller working dances throughout New England. The choreography is very representative of MWSD at that time. It includes a mixture of the Ed Gilmore Ends Turn In routine, Star action and a Susie Q.

Daisy Alamo patter - Robby Robertson

This is a live recording of Robby Robertson teaching a "Daisy Alamo" combination of a Daisy Chain and an Alamo Style progression, followed by calling a dance with those figures. (The dance itself starts at 1:23.) The recording was made by Eric Clamons at the Fifth Annual (1956) Minnesota Square Dance Convention.Robertson was a prominent caller on…

Square Dance Legislation Collection

The Square Dance Legislation Collection consists of manuscript materials (1975-present) documenting the history of legislation to designate the square dance as the national or state (folk) dance. The bulk of the materials concerns the public hearing on House Resolution 1706 held June 28, 1984, before the Subcommittee on Census and Population of the…

Patter - Al Brundage, 1962

View full record for details.

Patter Calling - Ed Gilmore

This is a short clip of patter calling by Ed Gilmore. The choreography is the classic Ends Turn In that was created by Ed in 1951.