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Items tagged "interview": 41

Kathy Anderson - Patter Calling

Caller Kathy Anderson is well-known for her fast-moving squares, accompanied by equally lively patter calling. She talks about how she uses patter, what she chooses to include and what to leave out, and why patter plays an important in the dances she calls.

Kathy Anderson - Sandy Bradley, an appreciation

Sandy Bradley was a dynamic Seattle caller who burst onto the dance scene in the 1970s and early 1980, bringing an enthusiastic presence and a love of traditional western squares to audiences around the country. Kathy first encountered traditional squares at an event where Sandy was the caller, and she gives a brief appreciation of why Sandy…

Kathy Anderson - four styles of squares

Caller Kathy Anderson gives an overview of the characteristics of four different regional styles of traditional square dances-- old-time Southern, New England, traditional Western, and singing squares.

Kathy Anderson - Youth Square Dance Scene

Caller Kathy Anderson discusses the burst of enthusiasm among young people for simple square dances set to hot old-time tunes. Starting in Portland, Oregon, with the efforts of caller Bill Martin, the movement has spread to other cities on the west coast and is making inroads in the East as well.

Phil Jamison 4 - Cecil Sharp and the "running set"

Phil discusses the origins of the term "running set," going back to when the English folklorist and collector Cecil Sharp first encountered southern Appalachian dancing.For a demonstration of the actual dance, see this video called by Stew Shacklette.

Phil Jamison 3 - The caller's role in Southern squares

The square dance caller in Southern dance traditions plays a somewhat different role than his Northern counterpart. Phil looks at the way a Southern caller improvises and uses basic figures in different ways.

Jim Mayo 6 - Key Elements of Modern Square Dance

Jim discusses features that make modern square dancing different from traditional squares, including the unpredictable nature of the calls, the necessity for lessons, and the club structure that provides an important social element.

Jim Mayo 5 - Basic Formations, Complex Calls

Jim points out that there are only a few basic formations in modern square dancing. One of the distinctive features of modern squares is the way that a series of basic moves are combined into one call. Swing Thru was an early example of this; Ed Gilmore objected to that term, saying that he could call the moves using more basic terminology. Later…

Jim Mayo 4 - New choreography

New calls such as Wheel and Deal and Swing Thru gave modern square dance callers powerful tools for creating new choreography and patterns of movement. Callers discovered that the sequence "Wheel and Deal, Double Pass Thru, Centers In, and Cast Off 3/4," repeated three times, would get all dancers back where they had started—a triple zero, which…

Jim Mayo 3 - Start of CALLERLAB

The 1970s saw a dramatic increase in the number of calls, which led to repeated cries from dancers for someone to bring order out of chaos. This led to the formation of CALLERLAB.

Jim Mayo 2 - Square Thru and Changing Choreography

The call "square through" provided callers with a new tool for moving dancers around on the dance floor. Jim describes how callers experimented with the figure and how he introduced it in many different setups in his classes.

Jim Mayo 1 - Early Years of Modern Square Dance

Jim discusses his own introduction to modern squares with caller Al Brundage in 1949. He talks about the early development of modern, showing how this new activity began to separate from its traditional roots.