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Honest John - Adam Boyce

Traditional quadrille, recorded at an open house sponsored by the Ed Larkin Dancers, Tunbridge, Vermont, March 12, 2010. The prompter is Adam Boyce, and the musicians are Harold Luce on fiddle and his daughter, Donna Weston, on piano.

The dance's fame spread beyond its Vermont origins. In a "Northern Junket" article (vol. 1, no. 3, June 1949, p.…

Honest John

Honest John is an unusual dance that was greatly admired by Ralph Page. An accompanying video shows it being danced by a group that includes some members of the Ed Larkin dancers. This file presents some background information on the dance as well as a selection of Ralph Page's comments on the dance.

Cowboy Dances

This is the dust cover to Lloyd Shaw's book, Cowboy Dances, first published in 1939.Used copies are common and inexpensive. A clean reprint of the book is also available from the Lloyd Shaw Foundation. Still, in this digital era it's not surprising that it is also available at the Internet Archive so that it can be read online, downloaded as a PDF,…

Bronc Wise, C-1

C-1; caller Bronc Wise

Lee Kopman - MWSD Challenge-4 Dancing

This video is of dancing at the AACE (Academy of Advanced and Challenge Enthusiasts) event in Milwaukee, WI in June of 2010. The CALLERLAB dance program is Challenge-4. The caller is Lee Kopman.

Hernando's Hideaway - Vic Ceder, C-2

Vic Ceder calls Hernando's Hideaway at the 2010 AACE (Academy for Advanced and Challenge Enthusiasts) convention.

Larry Edelman 1: Social Context of Square Dancing

What role does an evening of dancing play in the lives of the people who live in that community? Caller Larry Edelman discusses the social context in which the dancing takes place in traditional dance communities.

Larry Edelman 2: Links in a Chain

Larry Edelman discusses his experiences studying traditional dances in southwestern Pennsylvania; in particular, he ended up studying with caller Jerry Goodwin. Larry began to appreciate how dancers and callers and musicians are links in a chain, keeping alive rich traditions from the past and passing them on to the future.

Larry Edelman 3: Grange Hall Dances & Fire Hall Dances

Larry Edelman discusses the difference between two different traditional dance venues, based on his research in small town dances in southwestern Pennsylvania.

Larry Edelman 4: Influences on a Dance Series

What are some of the influences that affect a traditional community dance? Larry bases his comments on his research in southwestern Pennsylvania, a region that has been influenced by both southern Appalachian and northern dance styles.

Bob Dalsemer 1: Structure of Dance Programs in Traditional Series

Caller Bob Dalsemer describes his experiences in traditional dance communities. Each community may have just a few break figures that appear in all dances, which means that callers can program a lot of dances in an evening without much instruction. He contrasts that with the squares called in contemporary contra dance communities, for example,…

Bob Dalsemer 2: How Callers Use Dance Structure

Caller Bob Dalsemer discusses ways that square dance callers can present basic figures in different variations, provided that they understand the basic structure of a given dance. This gives the caller flexibility in shaping a program to fit a particular audience.