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Las Cuadrillas: Five-Part Suite

The interpretation and choreography of the five part Las Cuadrillas is by Dr. Lorenzo A. Trujillo based on the teaching of Marie Oralia Duran Trujillo, Damian Archuleta, with additional notes by Helen Mareau. The music was compiled by Aurora Lucero-White and Eunice Hauskins (1940). The music is available on a CD, "The Golden Age of the Southwest:…

Fledermaus Quadrille

Michael Bergman: Sadly, they've substituted walking steps for the more difficult Regency-era style steps that were still in fashion when the music was written. They are correctly using the older French formation of lines of couples facing couples across the set, with no progression, which predates the four-couple quadrille. On the positive side,…

Late Nineteenth Century Quadrille

Virtually every dance manual published during the nineteeth century contains information on the performance of the quadrille. The Library of Congress site where this video (and others in the same series) first appeared gives many links for further study. (That site also provides links to the video in many different formats for viewing.)Other videos…

Royal Scotch Quadrilles - 5th figure

Comments from Susan de Guardiola: The Royal Scotch Quadrilles were written by London dancing master Thomas Wilson in response to the (in his opinion, undeserved) success of The Caledonian Quadrilles, which he accurately regarded as French quadrilles cleverly marketed as Scottish (via a bagpiper on the cover) rather than as truly Scottish style…

le quadrille Américain - late 19th century

Tune composed and dance choreographed by François Paul in 1888, this dance was done up until World War I. It is composed of five figures: promenade, the basket, wooden horses, the visits and "The American." The last figure is a combination of a double basket figure and a variation of La Boulangère, in which dancers do a series of swings with new…

Paine's First Set Quadrille (1815) - Quadrille Club

Danced by the Quadrille Club, under the direction of Ellis Rogers. The fourth figure (Trenis) has been omitted here.For comparison, this collection also includes the same dance performed by Nederlands Historisch Dans-en Theaterensemble.

Lancers, 5th figure

The music for this group of dancers is by Spare Parts, from their compact disc, The Civil War Ballroom.

Grand Square - Edson Cole

This dance starts with the Grand Square figure, along with other calls common to the 5th figure of the Lancers.Edson Cole was a fiddler and dancing master from Freedom, NH. He was documentedby Eloise Hubbard Linscott in her 1939 book, Folk Songs of Old New England. This 78 rpm recording was made available to Dudley Laufman, who released it with…

The Birth of the Cotillion and the Quadrille, French Contredanses

This is a translation of Simonne Voyer's article, "La naissance du cotillon et du quadrille, contredanses françaises."The translation is by Susan Kevra, Senior Lecturer in French and American Studies, Vanderbilt University, as well as a caller of American contras and squares and English country dances.

Plain Jane (Quadrille) - Adam Boyce

Traditional quadrille, recorded at an open house sponsored by the Ed Larkin Dancers, Tunbridge, Vermont, March 12, 2010. The prompter is Adam Boyce, and the musicians are Harold Luce on fiddle and his daughter, Donna Weston, on piano. There are good views of the musicians starting around 2 minutes into the video. The music is from the last figure…

Reuben, Reuben (Quadrille) - Adam Boyce

Traditional quadrille, recorded at an open house sponsored by the Ed Larkin Dancers, Tunbridge, Vermont, March 12, 2010. The prompter is Adam Boyce, and the musicians are Harold Luce on fiddle and his daughter, Donna Weston, on piano.

Quadrille - 3 changes

Tony Parkes calls the figures at the Christmas Cotillion, Scout House, Concord, MA, December 21, 1985. Music provided by Yankee Ingenuity.

Quadrille - J. Scott Skinner, 1905

The People’s Ball Room Guide, published by musician James Scott Skinner in 1905, is a description of 19th century ballroom dances.A website devoted to Skinner's work includes a series of videos illustrating quadrilles and Lancers set to Scottish tunes and danced in Scottish style.Skinner himself was taught to dance by William Scott; the two…

Uncle Steve's Quadrille (description)

This dance was published in Elizabeth Burchenal's Folk-Dances from Old Homelands (1922). This is the first dance iin the book, one of two American dances, along with Old Dan Tucker. (See the moving images of Burchenal leading Old Dan Tucker here.)Burchenal's dance description says it stems from Oxford County, Maine: "This is an old-time country…

Uncle Steve's Quadrille (recording)

The first audo file contains instructions for the dance; it is followed by two music files with calls for the first and second figures.Detailed information about this dance, as published in Elizabeth Burchenal'sFolk-Dances from Old Homelands (1922) can be found here; information about the recording, Victor 35739, can be found here. Victor…

Peter Beemer manuscript - Idaho

This is a collection of mid-19th century dance tunes from a remote Idaho location; as such, it is a useful record of the music being used for dances of the period. This website also contains background information on dancing in the mining community that is the source of the manuscript.

In 1862, gold was discovered on Warren Creek in the…

Haynes Family manuscript - Oregon

This manuscript of sixty-five dance tunes was handed down through several generations of the Haynes, Shuck, and Adams families who came West over the Oregon Trail from Ohio, Kentucky, Iowa and Missouri between 1847 and 1853. Many of the family members were musical, and over the years several people contributed tunes to the manuscript, from which…

The Afro-American Transformation of European Set Dances and Dance Suites

Scholarly article that looks at the way that European set dances such as the quadrille became changed by African Americans. The article looks in detail at the quadrille tradition in the Caribbean islands as well as on the US mainland:"It is well acknowledged that the court dances which developed in Europe from the seventeenth century onward spread…