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Reuben, Reuben (Quadrille) - Adam Boyce

Traditional quadrille, recorded at an open house sponsored by the Ed Larkin Dancers, Tunbridge, Vermont, March 12, 2010. The prompter is Adam Boyce, and the musicians are Harold Luce on fiddle and his daughter, Donna Weston, on piano.

Royal Scotch Quadrilles - 5th figure

Comments from Susan de Guardiola: The Royal Scotch Quadrilles were written by London dancing master Thomas Wilson in response to the (in his opinion, undeserved) success of The Caledonian Quadrilles, which he accurately regarded as French quadrilles cleverly marketed as Scottish (via a bagpiper on the cover) rather than as truly Scottish style…

Sammy Spring's Quadrille - Don Armstrong

This dance, presented by Don Armstrong at the 1955 Minnesota State Square Dance Convention, comes from the calling of Sammy Spring. Don remarks in his introduction that the dance is similar to one of the figures of the Lancers, and he has this to say about the man from whom he learned the dance:

"We are privileged to have down in Florida one of…

Shall We Dance? - Maine, 19th century

This article, written by theMaine Memory Network Curator and Historian for the Maine Historical Society, takes two mid-19th books as a focal point for looking at etiquette and social status as reflected on the dance floor. H.G.O. Washburn's 1863 Ball-Room Manual of Contra Dances and Social Cotillions with Remarks on Quadrilles and Spanish Dance…

Social Dancing in Early Minnesota

Scholarly yet accessible article, with illustrations, published in Minnesota History magazine, providing a detailed look at social dance in Minnesota in mid-nineteenth century. Also available online. Some excerpts: "Early in the century, quadrilles had used more complicated steps and patterns such as pigeon-winging—a showy maneuver involving,…

Standard Club Quadrille (clip) - Benjamin Lovett

Benjamin Lovett, a New England dancing master, was hired by Henry Ford and relocated from Massachusetts to Michigan. He recorded numerous albums with the Henry Ford Orchestra, as well as authoring Good Morning, Ford's country dance book.

The Afro-American Transformation of European Set Dances and Dance Suites

Scholarly article that looks at the way that European set dances such as the quadrille became changed by African Americans. The article looks in detail at the quadrille tradition in the Caribbean islands as well as on the US mainland:"It is well acknowledged that the court dances which developed in Europe from the seventeenth century onward spread…

The Birth of the Cotillion and the Quadrille, French Contredanses

This is a translation of Simonne Voyer's article, "La naissance du cotillon et du quadrille, contredanses françaises."The translation is by Susan Kevra, Senior Lecturer in French and American Studies, Vanderbilt University, as well as a caller of American contras and squares and English country dances.

Tony Parkes 2 - Quadrilles and Visiting Couple Squares

In this interview, caller Tony Parkes describes the basic structure of quadrilles, the 19th century dance form that set the pattern for traditional New England squares, and contrasts that with visiting couple squares. In a typical quadrille, head couples interact often with each other (and the same for sides with each other). In a visiting square,…

Uncle Steve's Quadrille (description)

This dance was published in Elizabeth Burchenal's Folk-Dances from Old Homelands (1922). This is the first dance iin the book, one of two American dances, along with Old Dan Tucker. (See the moving images of Burchenal leading Old Dan Tucker here.)Burchenal's dance description says it stems from Oxford County, Maine: "This is an old-time country…

Uncle Steve's Quadrille (recording)

The first audo file contains instructions for the dance; it is followed by two music files with calls for the first and second figures.Detailed information about this dance, as published in Elizabeth Burchenal'sFolk-Dances from Old Homelands (1922) can be found here; information about the recording, Victor 35739, can be found here. Victor…