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Items tagged "African-American": 8

Phil Jamison 2: African influences, and African-American callers

Phil Jamison discusses his research into the origins of American square dance in the south, and describes the key role that African-American musicians played . There are the well-known musical elements—the role of the banjo, for example—and Phil also points out that the first callers were African-American. Even some distinctive square dance…

Square Dance with Soul

See the accompanying booklet for the text that was included with this record, released by Folkways in 1969.

Square Dance with Soul, booklet

Liner notes and dance descriptions, the booklet that came with the LP recording

Southside Squares and Swersie Norris

This was a feature story on television feature-- with the video now no longer available-- about the Southside Squares, Chicago's last remaining black MWSD group and the pioneering work of caller Swersie Dumetz Norris. The Southside Squares were among the dancers invited to participate on a special edition of the Phil Donohue Show, where Swersie…

The Afro-American Transformation of European Set Dances and Dance Suites

Scholarly article that looks at the way that European set dances such as the quadrille became changed by African Americans. The article looks in detail at the quadrille tradition in the Caribbean islands as well as on the US mainland:"It is well acknowledged that the court dances which developed in Europe from the seventeenth century onward spread…

Hoodoo Religion and American Dance Traditions: Rethinking the Ring Shout

Article by Katrina Hazzard-Donald looks at the relationship between African-American churches and traditional dance. As the article's summary puts it: "When one considers the history of American dance traditions one rarely thinks about its possible relationship to the local African American "Sanctified" or fundamentalist church described in works…

Terpsichore In The Flat Creek Quarters, Pea Ridge

Pencil drawing showing a dance with African-American musicians and dancers with the following manuscript poem below: ‘Listen when I call de figgers! Watch de music es ye go! Chassay forrard! (Now look at ‘em! some too fas’ & some too slow!) Step but when I gibs de order; keep up eben wid de line; Whats got in dem lazy niggers?…

West Coast Blues - Blind Blake

There were hundreds of 78 rpm records with dance calls released in the 1920s and 1930s; this clip from Blind Blake's "West Coast Blues" is one example. Other African Americans callers who appear on 78s are Sam Jones, who recorded in Cincinnati, Ohio in 1924 (Billed as Stovepipe No. 1), Jim Baxter, an African American Cherokee guitar player from…