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Red Bates, 1990 From A Jack To A King

In the singing call Red uses the Introduction/Break/Closer as it was recorded on the Red Boot Star label #1320 by Bill Anderson and continues the practice, now very common among MWSD callers, of using four different routines for the figure. The tempo is still quite slow at 118 bpm.

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Red Bates, 1990 Patter

The 1990 dance was again for the Longmeadow club. The most striking thing to notice is the much slower tempo. In 1980 Red’s tempo for the opening patter call was 128 beats per minute (bpm). By 1990 he (and several others) had slowed the tempo considerably. In this tip the tempo is 116 bpm which is less, even, than he usually used at that time.

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Patter Call - John Hendron

This is a short clip from a dance called by John Hendron in 1995. John has been one of the most popular of New England callers for many years and now (20014) in his late 80's is still calling.and remains very popular.

First Two Gents Cross Over - Harold Luce

Harold Luce started fiddling with the Ed Larkin Dancers in north central Vermont in the 1930s and played with them until his death at age 95 on August 13, 2014. In this recording, he is accompanied on piano by Karl Brown.He accompanied the dancers and called for dances, performing at two World's Fairs in New York City (1940 and 1964) and each year…

Rickey Holden Interviews

These are four interviews conducted with Rickey Holden— dance caller, organizer, author, editor and publisher. He was co-author of The Contra Dance Book (1956) andInstant Hash (1962) as well as numerous articles and two books about international folk dance. He danced with Ralph Page in the Boston area in the 1940s, hitchhiked around the US…

Lazy H - Bob Dalsemer

Bob Dalsemer calls a condensed version of Ed Gilmore's "Lazy H" figure.

Just Because - Bob Dalsemer

Caller Bob Dalsemer and "Just Because," recorded 1990 in Oerbygaard, Denmark. This clip includes some of the walkthrough, with the dance itself starting at 00:58. The recording to which he is calling features musicians Steve Hickman, fiddle; Peter Barnes, piano, and Bill Tomczak, clarinet.

Cowboys' Christmas Ball controversy - Anson, Texas

Square dancing is not just about a dance; as a social activity, the subject inevitably reaches into broader questions about society at large. So it is with the Cowboy's Christmas Ball, the preceding item. The Ball continues to this day. An entire book looks at the town of Anson, Texas, where the Ball originated, and how it came to be that laws were…

Santa Monica 1950 - interview with Bob Osgood

As part of his extensive series of interviews with notable figures in the square dance world, Bob Brundage conducted a lengthy interview with Bob Osgood. Included here is the part of that discussion that dealt with the Santa Monica event. (It has been slightly reformatted by inserting paragraph breaks to improve readibility.) Brundage's…

Don Armstrong - square dance

By this time in his long career, Don Armstrong was mostly calling contra dances. In this example, he keeps dancers moving smoothly with a relaxed cadence to his calls.

I Like Mountain Music - Don Armstrong

View full record for details.

Traditional Square Dance of Ocracoke Island, North Carolina

Detailed description of big set dances on Ocracoke Island, and an attempt in 1996 to re-create a dance tradition that had dies out. From the opening page:

"The Ocracoke Island square dance is actually a big circle dance, much like big circle dances performed in the Appalachian Mountains of the eastern United States. However, islanders…

Riverside-Sendai: intercontinental square dance partners

Square dancers in Sendai C "ity, Japan (with caller Mac Ojima) and in Riverside, California (with caller Paul Moore), both dancing to each other's callers, an intercontinental square dance made possible by a satellite link (1:15).We have included most of the introductory remarks, from the Japanese broadcast.03:00 Mac Ojima calls patter05:10…

Four in Line You Travel - Rickey Holden

Caller Rickey Holden teaches the figure for "Four in line you travel," and then calls a square dance using that figure. The figure is described in detail in the notes for Ed Gilmore's Square Dance Callers Instruction Course, 1949. Recorded in 1999 in Denmark.

Denver Wagon Wheel / Triple Duck - Rickey Holden (dance)

Caller Rickey Holden teaches the "triple duck" figure, also known as the Denver Wagon Wheel. (In his "Square Dances of West Texas" book, Holden credits the figure to Joe Lang, of Denver.) Another video on this site video shows that figure being taught. Recorded in Denmark, 1999.

Denver Wagon Wheel / Triple Duck - Rickey Holden (instr.)

Caller Rickey Holden teaches the "triple duck" figure, also known as the Denver Wagon Wheel. (In his "Square Dances of West Texas" booklet, Holden credits the figure to Joe Lang, of Denver.) A subsequent video shows that figure being danced. Recorded in Denmark in 1999. The accompanying diagram shows the key figure.

My Little Girl - singing square - Gene Ward

Singing square dance called by Gene Ward; recorded at the Original Dulcimer Players Non-Electrical Funfest, Evart, Michigan, July 18-22, 1990. Ward, a caller from Durand, Michigan (near Flint), was the headliner for the Michigan Dance Heritage Fall Dance Camp, September 1988, in Lexington, MI.

Musician and caller Glen Morningstar Jr. shared this…

Pam McKeever - Cheyenne Mountain Dancers demo

Pam McKeever is the caller; the dancers are demonstrating a routine like that used by Lloyd Shaw's Cheyenne Mountain Dancers in the late 1930s and 1940s. You'll note a series of dramatic aerial figures that helped make the Cheyenne dancers such a sensation as they toured the country. The musicians are Brendan Doyle, banjo; Chris Romaine, fiddle;…