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Woman in Love - Red Bates, 1961
The singing call, Woman In Love, is a classic and Red uses the figure as it was recorded by Dick Leger on Grenn record #12128. Tempo is a characteristic of calling that underwent considerable change.… View itemSound
Red Bates 1968 Patter
The next clips we have are from another dance at Newton Pavilion seven years later. By then the calls Swing Thru and Spin the Top had been added to the call vocabulary and Red makes use of both in… View itemSound
Gentle On My Mind, Red Bates, 1968
In the 1968 singing call, Gentle On My Mind, the interesting and unusual figure was called by Red just as it was recorded on the Wagon Wheel label #113 by Don Franklin View itemSound
Red Bates, 1973 Patter
Our 1973 clip is from a dance at the Longmeadow, MA, square dance club a short distance from where Red lived at that time. He starts with a Scoot Back and Circulate combination and in the second half… View itemSound
Pussy Cat -Red Bates - 1973
The 1973 singing call, Pussy Cat, Windsor Records #4173, was recorded by Bruce Johnson; it is one that became a Red Bates trademark. The figure was difficult in a unique way. The challenge was the… View itemDocument
Aqua Barn
Article describing Seattle's Aqua Barn, a floating dance hall. The hall was created by Jack Riley, whose obituary can be found here. Riley also released records on the Aqua lable; the Internet Archive… View itemDocument
The Caller - Jonesy
A list of qualifications and items to consider for would-be square dance callers View itemSound
Red Bates, 1982 Patter
The examples we have for the 1980’s also were recorded at the Longmeadow club and this was the opening patter call for a dance on February 16, 1982. The choreography is very different from his earlier… View itemSound
Red Bates, 1982 Pecos Promenade
The singing call, Pecos Promenade, was recorded by Beryl Main on Chaparral label #406. At 120 beats per minute (bpm) it is the first indication in this collection of a trend toward slower tempo that… View itemSound
Red Bates, 1990 Patter
The 1990 dance was again for the Longmeadow club. The most striking thing to notice is the much slower tempo. In 1980 Red’s tempo for the opening patter call was 128 beats per minute (bpm). By 1990… View itemSound
Red Bates, 1990 From A Jack To A King
In the singing call Red uses the Introduction/Break/Closer as it was recorded on the Red Boot Star label #1320 by Bill Anderson and continues the practice, now very common among MWSD callers, of using… View itemSound
Red Bates, 2006 Patter
The 2006 patter call shows Red’s usual programming using 11 of the PLUS Program calls in this one tip. The tempo had increased slightly to 123 bpm. His delivery style is conversational with somewhat… View item
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