Let's Square Dance – Claude Chadwick
This 24 page booklet was produced by Claude S. Chadwick, a Texas native and a professor of biology at Vanderbilt University in Nashville. He begins with an overview of the activity: "All we need for an evening of real fun is a number of willing couples, a place to dance, some music and a caller." He amplifies each of these requirements, noting that the success of the evening depends more upon the caller than any of the other factors.
He then reviews three basic patterns: contra dance (though he cites as an example the Virginia Reel, a longways dance though not a true contra); the quadrille, a four couple square dance; and then the Southern big set. Throughout he uses clear and simple pictures to illustrate basic figures and patterns.
[Several observations: In his discussion of quadrilles, Chadwick states, "If the caller is dancing he is always the number one gent and assumes the head position. ... There are five general quadrille patterns and fifty or more figures." Also noteworthy is that the illustrations for "Dos a dos" clearly shows dancers with arms crossed in front of their chest.]
The last category is the meat of the book Chadwick declares, "The Southern Big Set has two outstanding advantages over the contra-dance and the quadrille, namely, all of the couples dance all of the time, and there is no limitation to the number of couples in a set." After an overview of the Big Set, Chadwick describes in detail more than twenty figures:
Figures for Small Rings – Circles of Four
Right Hands Across
Four Hands Across
Ladies Twirl
Buffalo Loop
Four Leaf Clover
Duck that Oyster
Dos a Dos (Do Si Do)
Cage the Bird
Single Shuck the Corn [Ed: similar to Double Bow Knot]
Double Shuck the Corn
Lady Around the Lady
Lady 'Round the Lady and the Gent Around the Gent
Chase that Rabbit, Chase that Squirrel
Lady Around Two and the Gent Go Through
Pass Your Lady Thru
Adam and Eve
Georgia Rang Tang
Cowboy Loop
Scramble the Egg
Old Arkansaw
Figures for Big Rings
Hands Up All, and Circle the Hall
Dance to the Center
Promenade and Move Up Two
Single File and Swing the Lady Behind
The Open Tunnel
Grand March
Duck and Dive
Postman's Holiday
Star Figure
The Irish Trot
Make the Basket
In and Out the Window
Thread the Needle
Wind the Clock
Grapevine Twist
Ring Reel
Shoo Fly Swing
Shoot the Dominecker
Subjects: Southern / Appalachian / Big sets, Southern / Appalachian / Four-couple squares
Tags: big set, Claude Chadwick
Item Relations
This Item | is related to | Item: Elizabeth Burchenal 3 - big set demo |
This Item | is related to | Item: Duck for the Oyster / Grapevine Twist |
This Item | is related to | Item: Shoo-Fly Swing (instruction) - Phil Jamison |
This Item | is related to | Item: Big Set 1- Phil Jamison |
This Item | is related to | Item: John Bill Allen - Big set, Berea, 1975 |
This Item | is related to | Item: Traditional Folkdance in Kentucky |
This Item | is related to | Item: Kentucky Mountain Square Dancing |
This Item | is related to | Item: Big circle dance - Manny Wiener & American Square Dance Group |
This Item | is related to | Item: A Tennessee Square Dance |
This Item | is related to | Item: Smoky Mountain Square Dance Collection |
Item: Gym Classes in Square Dancing | is related to | This Item |
Citation
Dublin Core
Title
Description
He then reviews three basic patterns: contra dance (though he cites as an example the Virginia Reel, a longways dance though not a true contra); the quadrille, a four couple square dance; and then the Southern big set. Throughout he uses clear and simple pictures to illustrate basic figures and patterns.
[Several observations: In his discussion of quadrilles, Chadwick states, "If the caller is dancing he is always the number one gent and assumes the head position. ... There are five general quadrille patterns and fifty or more figures." Also noteworthy is that the illustrations for "Dos a dos" clearly shows dancers with arms crossed in front of their chest.]
The last category is the meat of the book Chadwick declares, "The Southern Big Set has two outstanding advantages over the contra-dance and the quadrille, namely, all of the couples dance all of the time, and there is no limitation to the number of couples in a set." After an overview of the Big Set, Chadwick describes in detail more than twenty figures:
Figures for Small Rings – Circles of Four
Right Hands Across
Four Hands Across
Ladies Twirl
Buffalo Loop
Four Leaf Clover
Duck that Oyster
Dos a Dos (Do Si Do)
Cage the Bird
Single Shuck the Corn [Ed: similar to Double Bow Knot]
Double Shuck the Corn
Lady Around the Lady
Lady 'Round the Lady and the Gent Around the Gent
Chase that Rabbit, Chase that Squirrel
Lady Around Two and the Gent Go Through
Pass Your Lady Thru
Adam and Eve
Georgia Rang Tang
Cowboy Loop
Scramble the Egg
Old Arkansaw
Figures for Big Rings
Hands Up All, and Circle the Hall
Dance to the Center
Promenade and Move Up Two
Single File and Swing the Lady Behind
The Open Tunnel
Grand March
Duck and Dive
Postman's Holiday
Star Figure
The Irish Trot
Make the Basket
In and Out the Window
Thread the Needle
Wind the Clock
Grapevine Twist
Ring Reel
Shoo Fly Swing
Shoot the Dominecker