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Items tagged "Texas": 35

West Texas Square Dances - Index

This is the cover and index of the booklet published by Jimmy Clossin and Carl Hertzog, showing dances that were common to that region around 1950. The book offers a dictionary, "Around-the-Ring Dances," suqdrilles, and "Callers Chatter."

The title page announces that this is "A Revised and Enlarged Edition of "Honor Your Partner" The Original…

1954 National Square Dance program - Dallas

This is the program for the 3rd National Square Dance Convention, held April 8–10, 1954.

The Girl I Left Behind Me (clip) - Lee Bedford, Jr.

In his brief look at the development of singing calls, Tony Parkes cites the publication of this dance in 1928 as "the earliest description of a singing square I've found so far (in fairly shallow digging)." This SDHP website includes an 1893 reference, plus other early mentions of the dance.

Cowboy Loop (clip) - Lee Bedford, jr.

This dance was called by Mildred Blakey at the big 1950 Santa Monica dance.

Square Dances With Calls - Lee Bedford, Jr.

In 1949, Texas caller Lee Bedford released on Imperial Records a four-album set of recordings with music provided by The Big D Ranch Hands. The liner notes, written by Paul Erfer, start by noting, "The interpretation of the figures described follows the style of square dancing as dances in some parts of Texas."Each record had a patter call on the A…

Cowboys' Christmas Ball - Anson, Texas

Poem written in 1890 describing the Cowboys' Christmas Ball in Anson, Texas. For more information about the author, see this website on cowboy poetry. The Ball continues, following the original rules requiring women to wear skirts and men to check their hats and spurs. Chittenden's poem was set to music and included in John Lomax's Cowboy Songs and…

Bill Shymkus

This is a short clip of a tip called by Bill Shymkus at the 3rd National Square Dance Convention in Dallas , Texas. The choreography is the goal post pattern that was very common at that time.

Harper Smith

This is a short clip called by Harper Smith at the National Square Dance Convention in Dallas, Texas in April of 1954. The choreography is hand turn hash with several Allemande Breaks.

My Little Girl - Ed Gilmore

This is a short clip from a tip called by Ed Gilmore at the 1954 National Square Dance Convention in Dallas, Texas. Ed is singing the dance My Little Girl.

Jerry Helt

This is a short clip from a tip called by Jerry Helt at the 1954 National Square Dance Convention in Dallas, Texas.The choreography is the "classic" figure Texas Whirlwind.

"Doc" Alumbaugh

This is a short clip from a tip called by "Doc" Alumbaughat the 1954 National Square Dance Convention in Dallas, Texas. The choreography is the "classic" figures Dip and Dive and Right Lady High, Left Lady Low.

Bob Osgood

This is a short clip from a tip called by Bob Osgood at the 1954 National Square Dance Convention in Dallas, Texas. The choreography is a 3 Ladies Chain routine.

Square Dance Clubs, Texas Style

This is a detailed description of the organizational plan of the Sally Goodin square dance club of Houston, Texas, which followed a common Texas model at the time:

"Most of the square dancing is done in square dance clubs organized solely for this purpose, conducted entirely by the members, and with no profit except to the orchestra and in some…

Abilene Lift - Rickey Holden

An early description by Rickey Holden of the so-called "Abilene lift," a distinctive style of incorporating a two-steps into square dance movement.

Square Dance Institute - Rickey Holden, 1950

Syllabus of a workshop led by Holden in Massachusetts in 1950, introducing Texas style square dancing to New England dancers. In addition to notes on figures and styling, this handout included directions for some sample Texas dances. From the introductory remarks:

"One of the most common misconceptions about Western square dancing is that all of…

"Abilene lift" - Rickey Holden

Caller Rickey Holden calls and dances the "Abilene lift," a style of movement created and popularized by west Texas caller Bob Sumrall. The 1-2-3 shuffle of feet gave the dancers a smooth movement; Holden has written that "at one time, at every dance, the entire floor could be heard to move, everyone, in unison, with an almost mystical, magical…